Part 5 self evaluation

Final piece for submission. Roughly 8″x 12″ gouache and acrylics on A3 hot-pressed watercolour paper. Demonstration of technical and visual skills – materials, techniques, observational skills, visual awareness, design and compositional skills. I found four paintings by different artists using different styles and made sketches of these in soft pastels, the originals being oils, acrylics, and woodblock print. I translated these, adhering to a differentiating extent to the key approaches used by the four artists: stylised and linear (Hokusai’s The Great Wave [~1829]), blended (Turner’s Fishermen upon a Lee shore in Squally Weather [1802] ), naïve and almost abstract (Klee’s … Continue reading Part 5 self evaluation

Moving figures, research point Angela Edwards

A local gallery has sent out notifications of a forthcoming exhibition of cityscapes and I’ve seen for the first time the works of Angela Edwards, a contemporary artist. This is a short video of one of her pieces as she puts it together.   The gallery is Kellie Miller Arts in Brighton which I visited earlier in the summer and which I intend to visit again to see these pictures close up. The link leads to the gallery’s page showing thumbnails of Edwards’s work. Also showing is a selection of Marco Minozzi’s atmospheric townscapes in which there are no figures … Continue reading Moving figures, research point Angela Edwards

Part 4, project 4 – research point

Historic and contemporary artists whose work involves the underlying structure of the human body. Two strike me immediately: Leonardo da Vinci (1452-1519) for his methodical and systematic observational studies of anatomy, some of which must have involved dissection; and Gunther von Hagens (1945 – ) who used the bodies themselves in his controversial art/autopsy exhibitions. This 2006 (revised 2011) review by Gareth Bate describes the beauty of the “athletically posed specimens like The Soccer Player or the piece called Elegance on Ice featuring male-female pairs ice skaters, or the stunning head composed entirely of red blood vessels which creates an exact structural likeness.” but also … Continue reading Part 4, project 4 – research point

Part 4 Assignment 4 preparatory work seated figure

Line drawing. Influences: David Hockney’s simplicity of line even in his paintings, and Henry Moore’s circular wire-frame marks. I am including Egon Schiele because of his expert economy of line although I abhor his subject matter; nevertheless he comes to my conscious mind enough to suspect that his techniques are woven into my impressions. Finally Paula Rego whose robust figures draw me for all sorts of reasons, including the volume she achieves with lines and marks. Hockney. This tiny clip of a clip illustrates just how simple lines can be and still suggest shape, volume, and texture. The pillow is … Continue reading Part 4 Assignment 4 preparatory work seated figure

What are you looking at? by Will Gompertz

Subtitled 150 years of modern art in the blink of an eye, this is not for the purists but it is for me. So much so that I have all three versions – audio, kindle, and paperback; one to listen to while mooching around, one for its search, links, and notes facilities, and one to flick through when neither of the others will do. I have the kind of memory that places something on a page – bottom left, middling-ish on the right, that sort of thing. I can do it with ebooks so long as the font stays the … Continue reading What are you looking at? by Will Gompertz

Part 3 project 5 exercise 4 – statues

I’m not a fan of statues. Too often they represent a defunct empire, colonialism, and men men men men men (to quote Mary Beard in a documentary some time last year). That or delicate flower women, often with a naked breast or two on display if not actually totally in the buff. I make an exception for the ones that move if you shut your eyes … From Dr Who episode 10, Blink. BBC 2007 accessed 28/04/19. There are some beauties though, or at least the detail and the skill that went into the execution of them. I’m thinking particularly … Continue reading Part 3 project 5 exercise 4 – statues

Part 3 project 4 exercise 1 – parallel perspective

Parallel perspective is the one that goes straight down the middle of the ‘page’ towards a vanishing point somewhere uncomplicatedly just ahead. The task is to draw an interior and, as luck would have it, I already did. It formed part of a series of indoor sketches and I chose to develop one of those on A2 cartridge. These were 5-10 minute round-the-house sketches; quick and dirty, as it were. I used Prisma colour pencils for this first one. This is white charcoal on pink sugar paper, looking through the doorway at my sofa. White charcoal again on purple sugar … Continue reading Part 3 project 4 exercise 1 – parallel perspective

Part 2, Project 4, exercise 1

Brace yourself for a trip round my house. We’re starting with the business end – the room with the windows, the TV, the table full of keyboard, screen, and arty miscellany, the bookshelves, the windowsill being another sort of shelf, and the cupboards full of old vinyl LPs. I chose charcoal because it’s loose and I’m not likely to be able to execute anything more precise while standing, holding a sketch book in one hand and driving a piece of medium with the other.  Here we go: Even I can’t tell immediately what this is but trust me when I … Continue reading Part 2, Project 4, exercise 1